Young England: Part One

  • Laurie Langbauer
Keywords: Romantic literature, Victorian literature, Young England, juvenilia, juvenile writing

Abstract

“Young England: Part One” pursues central questions for juvenilia studies: how did the turn-of-the-century juvenile tradition influence succeeding generations of Victorian writers, and what new questions does scholarly understanding of juvenile writing in Britain allow literary critics to ask now? The Romantic-era juvenile tradition gets reconstituted through its influence on the 1840s Tory splinter movement, Young England. I argue that this contradictory, conservative group of titled young writers paradoxically reveals how the marginalized juvenile tradition calls its writers into being—and asks us to revise our ideas of literary traditions and of history in general. The young Romantics Byron and Shelley symbolized youthful writing to Young Englanders, but so did another lesser-known juvenile writer, Percy Smythe, Sixth Lord Strangford. That Strangford was father to a prominent Young Englander: George Smythe, later Seventh Lord Strangford. In recovering both Strangfords’ literary juvenilia, Part One considers the rethinking of genealogy and succession within writing by young authors—arguing it underlies Young England as youth movement, especially its sense of history as ultimately inaccessible but vital nonetheless in its construction. Part Two (JJS 3.2, June 2020) will look more closely at how Young England’s shaping fantasy of history depends on youth. It focuses on the self-fashioning within its contradictions of one-time juvenile writer and Young England’s mentor, Benjamin Disraeli (later Prime Minister and Earl of Beaconsfield)—contradictions employing signifiers of youth that were generative of his virtuoso performance as writer, celebrity, and statesman.

Published
2019-12-27
Section
Peer-Reviewed Articles